{"id":1858,"date":"2021-12-02T13:42:41","date_gmt":"2021-12-02T13:42:41","guid":{"rendered":"https:\/\/opusvenetum.uniri.hr\/about-the-project\/"},"modified":"2024-01-31T09:18:01","modified_gmt":"2024-01-31T09:18:01","slug":"about-the-project","status":"publish","type":"page","link":"https:\/\/opusvenetum.uniri.hr\/en\/about-the-project\/","title":{"rendered":"About the Project"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;O projektu&#8221; module_id=&#8221;project&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#080b13&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(8,11,19,0.21) 20%|#000000 100%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(8,11,19,0.21)&#8221; background_color_gradient_start_position=&#8221;20%&#8221; background_color_gradient_end=&#8221;#000000&#8243; background_image=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2022\/03\/naslovna-o-projektu-scaled.jpg&#8221; custom_padding=&#8221;15vw||0vw||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|phone&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1B1B1B&#8221; custom_padding=&#8221;60px|40px|0px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_2_font=&#8221;Yeseva One||||||||&#8221; header_2_font_size=&#8221;44px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Karla|700||on|||||&#8221; header_3_text_color=&#8221;#E5CA46&#8243; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;4px&#8221; header_3_line_height=&#8221;1.8em&#8221; background_layout=&#8221;dark&#8221; header_2_font_size_tablet=&#8221;34px&#8221; header_2_font_size_phone=&#8221;30px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>About the Project<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_2_font=&#8221;Yeseva One||||||||&#8221; header_2_text_color=&#8221;#E5CA46&#8243; header_2_font_size=&#8221;30px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Karla|700||on|||||&#8221; header_3_text_color=&#8221;#E5CA46&#8243; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;4px&#8221; header_3_line_height=&#8221;1.8em&#8221; background_layout=&#8221;dark&#8221; header_2_font_size_tablet=&#8221;34px&#8221; header_2_font_size_phone=&#8221;22px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>OPUS VENETUM<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; width=&#8221;100%&#8221; border_color_all=&#8221;RGBA(255,255,255,0)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1B1B1B&#8221; custom_padding=&#8221;60px|38px|60px|38px|true|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; inline_fonts=&#8221;Enchanted&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Figural embroidery of the 14th century stands as one of the least researched chapters within the Venetian artistic heritage. Although the importance of this topic was recognized in the early 1960s, only recently have concerted efforts been made towards a more systematic research of this subject. Three monographic studies have unlocked the potential of this topic. However, in comparison to embroideries originating from other cultural and production centres of the 14th century (<em>opus anglicanum<\/em>, <em>opus fiorentinum<\/em>, <em>opus teutonicum<\/em>) the contemporary Venetian examples remain insufficiently valorised, and not even catalogued.      <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Preliminary scientific cataloguing efforts indicate that roughly twenty items that can be attributed to Venetian workshops have been preserved. It is important to point out that most of these pieces are kept in the Republic of Croatia or were originally commissioned for patrons from the eastern coast of the Adriatic. Today, they are kept in some of the most important European museums of applied arts (Victoria and Albert Museum, Iparm\u0171v\u00e9szeti M\u00fazeum). The implementation of this virtual exhibition was made possible thanks to the support of several domestic and foreign institutions and is the result of several years of project work on the systematization and analysis of preserved Venetian 14th century embroidery. The main objective of these projects was to create for the first time a comprehensive catalogue of embroideries crafted in Venice during the 14th century. This catalogue will serve as a cornerstone for directing future research endeavours towards the proper valorisation of individual works of art.     <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Within the framework of the projects, the pre-existing cooperation between researchers from the University of Rijeka and the University of Padua, leading researchers in the field of the art of Venetian Trecento was further strengthened, as well as with a number of collaborators from Croatian and foreign museum and scientific institutions. This synergy led to scientific excellence and enabled the transfer of knowledge, ultimately establishing a platform for future collaborative ventures in the field of digital technologies. <\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Field Research<\/h3>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=&#8221;1846,1844,1669,1670,1657,1643,1686,1684,1656,1685&#8243; fullwidth=&#8221;on&#8221; module_class=&#8221;lwp-arrow-color&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; auto=&#8221;on&#8221; auto_speed=&#8221;5000&#8243; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; transform_scale=&#8221;104%|104%&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;10vw||10vw||true|false&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_icon font_icon=&#8221;&#x33;||divi||400&#8243; icon_color=&#8221;#E5CA46&#8243; icon_width=&#8221;60px&#8221; url=&#8221;#istrazivacki-tim&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; animation_style=&#8221;slide&#8221; animation_direction=&#8221;top&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Istra\u017eiva\u010dki tim&#8221; module_id=&#8221;istrazivacki-tim&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(8,11,19,0.65) 17%|#000000 98%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(8,11,19,0.65)&#8221; background_color_gradient_start_position=&#8221;17%&#8221; background_color_gradient_end=&#8221;#000000&#8243; background_color_gradient_end_position=&#8221;98%&#8221; background_image=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2022\/03\/4-Mitra-detalj-Trogir-Riznica-katedrale-scaled-e1646938873365.jpg&#8221; background_blend=&#8221;multiply&#8221; custom_padding=&#8221;15vw||5vw||false|false&#8221; top_divider_style=&#8221;arrow2&#8243; top_divider_color=&#8221;#000000&#8243; top_divider_height_tablet=&#8221;40px&#8221; top_divider_height_phone=&#8221;40px&#8221; top_divider_height_last_edited=&#8221;on|tablet&#8221; animation_style=&#8221;flip&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|phone&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1b1b1b&#8221; custom_padding=&#8221;60px|40px|0px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_2_font=&#8221;Yeseva One||||||||&#8221; header_2_font_size=&#8221;44px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Karla|700||on|||||&#8221; header_3_text_color=&#8221;#E5CA46&#8243; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;4px&#8221; header_3_line_height=&#8221;1.8em&#8221; background_layout=&#8221;dark&#8221; header_2_font_size_tablet=&#8221;34px&#8221; header_2_font_size_phone=&#8221;30px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Team Members<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; width=&#8221;100%&#8221; border_color_all=&#8221;RGBA(255,255,255,0)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; use_custom_gutter=&#8221;on&#8221; make_equal=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;off|off|on&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1b1b1b&#8221; custom_padding=&#8221;60px|40px|60px|40px|true|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2024\/01\/2.png&#8221; alt=&#8221;Danijel Cikovi\u0107&#8221; title_text=&#8221;Danijel Cikovi\u0107&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Danijel Cikovi\u0107 <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Danijel Cikovi\u0107 is an Assistant Professor at the Academy of Applied Arts at the University of Rijeka where he teaches courses in History of Medieval Art, and History of Renaissance Art. His research focuses on the visual culture of the late medieval Adriatic region, with a special emphasis on Venetian artistic production in the 14th and 15th centuries, as well as on contextualization of commissions and donations of liturgical furnishings.  <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/portal.uniri.hr\/portfelj\/2485\" target=\"_blank\" rel=\"noopener\">UNIRI portfolio<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/uniri.academia.edu\/DanijelCikovi%C4%87\" target=\"_blank\" rel=\"noopener\">Academia.edu<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url=&#8221;mailto:dcikovic@apuri.uniri.hr&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>dcikovic@uniri.hr<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2024\/01\/1.png&#8221; alt=&#8221;Iva Jazbec Tomaic\u0301&#8221; title_text=&#8221;Iva Jazbec Tomaic\u0301&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Iva Jazbec Tomai\u0107 <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Iva Jazbec Tomai\u0107 is a research assistant at the Academy of Applied Arts at the University of Rijeka where she teaches courses in History of Applied Art, History of Baroque Art and Academic Writing. Her specific area of scientific interest is historical textiles, especially Venetian Early modern period silks and embroideries. <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/portal.uniri.hr\/Portfelj\/Details\/07447\" target=\"_blank\" rel=\"noopener\">UNIRI portfolio<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/uniri.academia.edu\/IvaJazbecTomai%C4%87\" target=\"_blank\" rel=\"noopener\">Academia.edu<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url=&#8221;mailto:ijazbec@apuri.uniri.hr&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>ijazbec@uniri.hr<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2021\/12\/baradel-valentina.webp&#8221; alt=&#8221;Baradel Valentina&#8221; title_text=&#8221;Baradel Valentina&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Valentina Baradel <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Valentina Baradel is a Post-Doctoral Research Fellow at the Dipartimento dei Beni Culturali, Universit\u00e0 degli Studi di Padova, in the ERC project SenSArt<em> &#8211; The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th-15th century). <\/em>During the PhD, her research focused on the visual, material and socio-cultural production of Venice, the Veneto and other regions in the North Adriatic during the 14th and 15th centuries.   <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.unipd.it\/en\/contatti\/rubrica\/?detail=Y&amp;ruolo=1&amp;checkout=cerca&amp;persona=BARADEL&amp;key=AB0767F2365E2A85055A800A54DC6798\">Unipd<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/unipd.academia.edu\/ValentinaBaradel\" target=\"_blank\" rel=\"noopener\">Academia.edu<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#E5CA46&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; link_option_url=&#8221;mailto:valentina.baradel@unipd.it&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>valentina.baradel@unipd.it<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; use_custom_gutter=&#8221;on&#8221; make_equal=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;on|on|off&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1b1b1b&#8221; custom_padding=&#8221;60px|40px|10px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2024\/01\/2.png&#8221; alt=&#8221;Danijel Cikovi\u0107&#8221; title_text=&#8221;Danijel Cikovi\u0107&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Danijel Cikovi\u0107 <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Danijel Cikovi\u0107 is an Assistant Professor at the Academy of Applied Arts at the University of Rijeka where he teaches courses in History of Medieval Art, and History of Renaissance Art. His research focuses on the visual culture of the late medieval Adriatic region, with a special emphasis on Venetian artistic production in the 14th and 15th centuries, as well as on contextualization of commissions and donations of liturgical furnishings.  <\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2024\/01\/1.png&#8221; alt=&#8221;Iva Jazbec Tomaic\u0301&#8221; title_text=&#8221;Iva Jazbec Tomaic\u0301&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Iva Jazbec Tomai\u0107 <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Iva Jazbec Tomai\u0107 is a research assistant at the Academy of Applied Arts at the University of Rijeka where she teaches courses in History of Applied Art, History of Baroque Art and Academic Writing. Her specific area of scientific interest is historical textiles, especially Venetian Early modern period silks and embroideries. <\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2021\/12\/baradel-valentina.webp&#8221; alt=&#8221;Baradel Valentina&#8221; title_text=&#8221;Baradel Valentina&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;center&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.23.1&#8243; custom_padding=&#8221;3px||||false|false&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;rgba(255,255,255,0.7)&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;||||||||&#8221; header_3_font=&#8221;Yeseva One||||||||&#8221; header_3_font_size=&#8221;24px&#8221; header_3_line_height=&#8221;1.4em&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;600px&#8221; header_3_font_size_tablet=&#8221;24px&#8221; header_3_font_size_phone=&#8221;22px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Dr. Valentina Baradel <\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Valentina Baradel is a Post-Doctoral Research Fellow at the Dipartimento dei Beni Culturali, Universit\u00e0 degli Studi di Padova, in the ERC project SenSArt<em> &#8211; The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th-15th century). <\/em>During the PhD, her research focused on the visual, material and socio-cultural production of Venice, the Veneto and other regions in the North Adriatic during the 14th and 15th centuries.   <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; use_custom_gutter=&#8221;on&#8221; make_equal=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;on|on|off&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1b1b1b&#8221; custom_padding=&#8221;20px|40px|60px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; admin_label=&#8221;Column&#8221; 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_module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;40px||0px||false|false&#8221; animation_style=&#8221;slide&#8221; animation_direction=&#8221;top&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Publikacije&#8221; module_id=&#8221;publikacije&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(0,0,0,0.48) 0%|#000000 70%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(0,0,0,0.48)&#8221; background_color_gradient_end=&#8221;#000000&#8243; background_color_gradient_end_position=&#8221;70%&#8221; background_image=&#8221;https:\/\/opusvenetum.uniri.hr\/wp-content\/uploads\/2021\/12\/P1011079-scaled-e1646938427639.jpg&#8221; background_blend=&#8221;multiply&#8221; custom_padding=&#8221;15vw||5vw||false|false&#8221; top_divider_style=&#8221;arrow2&#8243; top_divider_color=&#8221;#000000&#8243; top_divider_height_tablet=&#8221;40px&#8221; top_divider_height_phone=&#8221;40px&#8221; top_divider_height_last_edited=&#8221;on|tablet&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|phone&#8221; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1B1B1B&#8221; custom_padding=&#8221;60px|40px|0px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|true|true&#8221; custom_padding_phone=&#8221;|20px||20px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; header_2_font=&#8221;Yeseva One||||||||&#8221; header_2_font_size=&#8221;44px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Karla|700||on|||||&#8221; header_3_text_color=&#8221;#E5CA46&#8243; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;4px&#8221; header_3_line_height=&#8221;1.8em&#8221; background_layout=&#8221;dark&#8221; header_2_font_size_tablet=&#8221;34px&#8221; header_2_font_size_phone=&#8221;30px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Select Bibliography<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#E5CA46&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; width=&#8221;100%&#8221; border_color_all=&#8221;RGBA(255,255,255,0)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1B1B1B&#8221; min_height=&#8221;35.7px&#8221; custom_padding=&#8221;40px|40px|20px|40px|false|true&#8221; custom_padding_tablet=&#8221;|30px||30px|false|true&#8221; custom_padding_phone=&#8221;|20px||20px|false|true&#8221; global_colors_info=&#8221;{}&#8221; width__hover_enabled=&#8221;on|desktop&#8221;][et_pb_column type=&#8221;1_2&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>DANIJEL CIKOVI\u0106 and IVA JAZBEC TOMAI\u0106, Rethinking The Veglia Altar Frontal from the Victoria and Albert Museum and Its Patron, in: <em>Byzantium in Eastern European Visual Culture in the Late Middle Ages (East Central and Eastern Europe in the Middle Ages, 450-1450, 65<\/em>), (eds.) M. A. Rossi i A. I. Sullivan, Leiden \/ Boston, 2020, 248 \u2013 279.<\/p>\n<p>VALENTINA BARADEL, Diramazioni adriatiche di botteghe veneziane. L\u2019isola di Veglia (Krk), da Paolo Veneziano a Jacobello del Fiore, in: <em>La Serenissima via mare \u2013 Arte e cultura tra Venezia e il Quarnaro<\/em>, (eds.) V. Baradel and C. Guarnieri, Padova, 2019, 57 \u2013 75. <\/p>\n<p>SILVIJA BANI\u0106, Zadarski goti\u010dki vezeni antependij u Budimpe\u0161ti, in: <em>Ars Adriatica<\/em>, 4 (2014), 75 \u2013 94.<\/p>\n<p>DAMIR TULI\u0106 and NINA KUDI\u0160, <em>Opatska riznica, katedrala i crkve grada Kor\u010dule<\/em>, Kor\u010dula, 2014.<\/p>\n<p>JELENA IVO\u0160, <em>Liturgijsko ruho iz zbirke tekstila Muzeja za umjetnost i obrt<\/em>, Zagreb, 2010.<\/p>\n<p>DORETTA DAVANZO POLI, Pietro e Marco nei ricami medievali, in: <em>San Pietro e San Marco. Arte e iconografia in area adriatica, <\/em>(ed.) Letizia Caselli, Roma, 2009, 185 \u2013 203.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; text_font=&#8221;Karla||||||||&#8221; text_text_color=&#8221;#a1a6b1&#8243; text_font_size=&#8221;18px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>H\u00c9L\u00c8NE PAPASTAVROU, \u00c0 propos d&#8217;un voile brod\u00e9 v\u00e9nitien du XIVe si\u00e8cle \u00e0 Zadar, in: <em>Zograf<\/em>, 32 (2008), 91 \u2013 99.<\/p>\n<p>CENNINO CENNINI,<em> Knjiga o umjetnosti. Il libro dell&#8217; arte, <\/em>translated by Katarina Hraste and Jurica Matijevi\u0107, (ed.) Milan Pelc, Zagreb, 2007.<\/p>\n<p>CRISTINA GUARNIERI, <em>Lorenzo Veneziano<\/em>, Milano, 2006.<\/p>\n<p>ZORAIDA DEMORI STANI\u010cI\u0106, Prilozi o srednjovjekovnom tekstilu u Trogiru: prijedlozi za lokalnu vezila\u010dku radionicu, in: <em>Prilozi povijesti umjetnosti u Dalmaciji<\/em>, 40 (2003 \u2013 2004), 113 \u2013 147.<\/p>\n<p>MONIQUE KING and DONALD KING, <em>European Textiles in the Keir Collection 400 BC to 1800 AD<\/em>, London, 1990.<\/p>\n<p>BERNHARD DEGENHART and ANNEGRIT SCHMITT, <em>Corpus der italienischen Zeichnungen 1300-1450. II. Venedig 1300-1400. Addenda zu S\u00fcd und Mittelitalien,   <\/em>Berlin, 1980.<\/p>\n<p><em>Il Ricamo nella Storia e nell&#8217;Arte<\/em>, (ed.) Marie Schuette and Sigrid M\u00fcller-Christensen, Roma, 1963, 7 \u2013 12. <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; transform_scale=&#8221;104%|104%&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;5vw||5vw||true|false&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; admin_label=&#8221;Column&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_icon font_icon=&#8221;&#x36;||divi||400&#8243; icon_color=&#8221;#E5CA46&#8243; icon_width=&#8221;60px&#8221; url=&#8221;#projekt&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; animation_style=&#8221;slide&#8221; animation_direction=&#8221;top&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_icon][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>About the ProjectOPUS VENETUMFigural embroidery of the 14th century stands as one of the least researched chapters within the Venetian artistic heritage. Although the importance of this topic was recognized in the early 1960s, only recently have concerted efforts been made towards a more systematic research of this subject. Three monographic studies have unlocked the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1638,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1858","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>About the Project | Opus Venetum<\/title>\n<meta name=\"description\" content=\"The Opus Venetum project strengthened the already existing cooperation between the scientists of the University of Rijeka and the University of Padua.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/opusvenetum.uniri.hr\/en\/about-the-project\/\" \/>\n<meta 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